And so at last I’m in Warsaw. I had plans for today – oh, such plans, and going back more than a year! – but first I needed to go out and get to know Warsaw a bit. I’d spent a week and four cities getting here.
Warsaw isn’t as navigable as anywhere else I’d been. It doesn’t really have a very obvious tight centre. It’s a big sprawly capital. Google Maps suggested an area that might be near the Old Town so I got on a tram and went there. It wasn’t the Old Town. Having now read my guidebook, I think it might be the New Town, which is a kind of old-ish town but not as old as the Old Town. Not that anywhere in Warsaw is really old. As it happens, Thursday was the 80th anniversary of the Warsaw Uprising and there have been events across the city all weekend to mark it. I knew nothing about it but I have read and learned.
Warsaw was occupied by the Nazis in September 1939. In August 1944, they mounted an uprising which ultimately failed and Hitler, in relation and anger, ordered that Warsaw should be destroyed. I knew Poland had been badly damaged in WWII but I hadn’t really realised either the extent of it or the scale of it. Entire cities were just razed to the ground, left as nothing but rubble. When I say Warsaw was wiped off the map, I mean Warsaw basically ceased to exist. The first ten years post-war were spent rebuilding it and in the case of the historic parts, using old paintings and original documents to rebuild as close to the original buildings as possible. Walking through the Old Town, you’d never realise this place is less than 80 years old. I assume the New Town is a bit like Edinburgh’s New Town – new a couple of hundred years ago, new compared to the medieval parts, not new compared to the 20th/21st century urban sprawl. Warsaw’s New Town is currently being dug up but I’ve seen pictures and videos showing it as a vibrant street with buses running up the middle of it. That’s why it’s so hard to get around – a major transport thoroughfare is closed!
I found yet another glorious brick church. I now know that if I see a shiny red brick church, I’m probably going to enjoy going in it. Not for the architecture, exactly – it’s not the style of Gothic I like, with its red brick pillars and white-painted walls, but they always have the most incredible stained glass windows. This shouldn’t be the Eras Train Tour or the Train to Warsaw, this should be Julie Discovers Stained Glass Across Poland. How does one start to become a stained glass artist and how does one get the job of making cathedral windows?
I got my photo taken with the Warsaw Mermaid – an unlikely city protector but apparently she will rise up and save Warsaw – by a Victorian lady with an old-fashioned camera. Well, I’m not stupid enough to believe it’s actually an old-fashioned camera but she did some fiddling about and it printed the front page of an oldey-timey newspaper with my picture on the front. I translated it and discovered that I stand accused of robbery across Warsaw, as does everyone else who also had their picture taken.
I continued as far as the Barbakan, which is one of the old city gates, again in red brick, along with some sections of red brick city wall and moat but then it was time to head home. I set my phone and followed the blue dot. First it took me past the modern government buildings and then to some kind of war memorial where a major ceremony involving several lines of impeccable soldiers had been standing mere moments earlier. I guessed it was something to do with the anniversary of the Warsaw Uprising and this was confirmed when my phone told me the memorial was specifically to that event rather than to the war or the dead in general.
Up the road and I finally encountered Warsaw’s metro. There are only two lines and I think they only cross in one place. I was going to go two stops where it would hopefully meet my tram home. Well, it did, kind of. It emerged right in the shadow of the Palace of Culture, which is one of Stalin’s Seven Sisters. Actually, the Seven are in Moscow but there are a few in other places. I’ve stayed in the one in Kyiv which is a hotel and now I’ve found the one in Warsaw. As per usual, many people think it’s hideously ugly – Stalin had a certain recognisable taste in architecture – and that the best views are from its tower, mainly because it’s the one place in Warsaw you can’t see the thing. My tram was across the road, in the middle of a roundabout. I’ve now encountered this sort of thing a few times and it’s frustrating because you’re not really allowed to cross the road in Poland – only at zebra crossings and often with lights. To get to tram stops on roundabouts, you have to go underground and hope you can figure out the right place to pop up. Admittedly, with a little help from a blue dot on my phone, I managed and then I took the train home.
I had a few hours to rest my feet and eat and get changed and then I was going out for the reason I made this entire journey in the first place – in July 2023, I successfully got my hands on a ticket for Taylor Swift’s Eras Tour here in Warsaw. Would it have been too easy to fly in on Friday and out again on Sunday? Yes. I wanted to make an adventure of it but Poland’s so big and there’s so much I wanted to see and do that figuring out how to do it was impossible and so it took until March or April to come up with the idea of coming all the way by train and letting the rail route more or less dictate my route. Wroclaw was a bit of a detour but one I’m glad I did.
And so at 5ish, I went out, feeling ridiculously self-conscious in my hand-made sequinned silver mini dress, repeating you won’t feel stupid when you get the stadium because everyone will look kind of ridiculous but that’s not very helpful when you have to walk down the road and get on a tram and ride halfway across the city first.
And no, once I got there, I felt less stupid. A bit. A lot of people were wearing sequins and costumes but my dress is kind of bulky because sequins are scratchy and utterly transparent so I lined it – with brushed cotton. Soft, but really hot and really bulky. And the sleeves don’t really fit the holes. And the neck is completely the wrong shape. But no one looks twice at a sequinned dress at a Taylor Swift show. I was at gate 10 and the tram dropped off outside gate 3 so I had half the perimeter of the stadium to walk first. Watching the queue in both directions leading to gate 3 was dismal – the tickets said to leave about an hour and a half to get in but no way was I getting in that quickly if the queue was this big. And ok, it took forever to walk to gate 10 but getting in was a breeze. I eyed the “clearing” queue dubiously – what is it? Why are there so many people there? Should I be there? But I went straight to the gate and got straight through. This was only hurdle 1. Glance at ticket, in you go. That easy? Hurdle 2 was the bag check and metal detector. I’d very very reluctantly left my camera with the amazing zoom behind as per the instructions and had only an A4 bag with the necessaries – ticket, passport, wallet, portable charger, phone and sunglasses. A4 bag that matched the dress, by the way, also handmade. I passed hurdle 2 with flying colours.
Hurdle 3 was having my ticket scanned at the next gate. No ID check, although I’d been assured they were very strict about ticket names matching official ID names to ward off resellers. And then I was in the stadium grounds and looking for door R, which was quite a long way round. At door R, I had to scan my ticket. Still no ID check. My passport had a great night out and didn’t need to do any work at all!
And I was finally inside! It had taken considerably less time to get in once I’d found gate 10 than it took to walk to gate 10 in the first place. I was in the top level but only about four rows up from the bottom of it, so about two-thirds of the way up the stadium and just a little south of the main stage. I could see the whole thing side-on and I could see a slither of the big screen but not all of it. There was a second screen on the side of the big stage structure and more screens hanging from the ceiling. This stadium has a retractable roof and we’d been told in advance it would be closed.
There was food and drink on offer – lots of Polish beer or you could have Coke/Fanta/Sprite. Here the Euro caps came into play. Normally they take the lids off and you either have to look after an open bottle for the entire show or you have to smuggle in a bottle top. But they’re attached and so I could close the bottle! It lasted me the entire show because I could put it down and it could fall over and roll around. There was also popcorn and pizza and hot dogs etc.
Paramore were on first as support and I’d been wondering at what point to put in my earplugs. As soon as Paramore walked out, apparently. I briefly took them out afterwards but it was so noisy and the crowd kept screaming at things I couldn’t see so they went straight back in.
And then it was time! Now, the Eras Tour is a tour through Taylor’s entire career, one era at a time. Each era has its own look and almost all eras have multiple alternative costumes. I’d looked at what she’d worn for each one the two previous nights in Warsaw, what she’d worn the few nights before that, what she seems to prefer and had written a list of all the costumes I predicted. I got two wrong – the massive ballgown for Speak Now was the original sparkly one instead of the layered purple one and the sequinned mini t-shirt dress for Anti Hero, the one I’d attempted to recreate for the occasion, was light purple instead of dark purple. I got absolutely everything else right! I was particularly impressed to have got the 1989 purple skirt and pink top – there are six of each and she wears them in seemingly random combinations, giving you 36 options to pick from and I got the right one! Well, I noticed it had been a while since the purple skirt had made an appearance and I’d noticed that it had been a while since the pink top had made an appearance. Yes, many people track this sort of thing.
It’s a spectacle. It can convert hardened non-Swifties (although what they’re doing entering into battle for tickets is anyone’s guess). It lasts over 3 hours, 40-something songs, 16 or so costume changes, 65-70 thousand people screaming, a fireworks finale (yes, even with the roof on!), actual curtain of actual fire streaming down when she burns down the Lover house in the Fearless transition, wristbands flashing colours and patterns all over the entire stadium, lights, sequins… However, Swifties really don’t seem to be able to sing and they mistake bellowing for emotion. I could never be Taylor Swift because I’d be standing there demanding that everyone sit down and shut up before I get started and don’t you dare scream unless someone’s actually murdering you.
I’d been a bit concerned that all the nearby tram and bus stops were closed after the show. How to get home? I’d mapped out the nearest open tram stops and I knew roughly where the metro station was but getting home was a bit of a guessing game. And once the show finished, I discovered exactly why everything was shut. It’s because you can’t get 65-70 thousand people out of one large room at the same time and expect them to physically be able to stay on the pavements. There just isn’t the space. It took a long time to force my way round to gate 3 to exit, even longer than it had taken the walk the perimeter earlier and then I had to fight my way through and with the crowd into the underpass, out towards the road home. I’d considered the possibility of walking home. It would take 45-60 minutes and I wasn’t so worried about the time or distance as of walking on my own in a strange place in the dark. Well, it seemed I wasn’t going to be on my own.
But actually, something worked to my advantage. Most people were streaming towards the city centre, in as much as Warsaw has one. I was heading outwards. There were a lot fewer of us going this way. Fewer enough that when we reached roughly where the closest open tram stop should be, there was a tram there and we were all able to get on. A lot of people got off at the next stop, which meant I could get a seat and ten minutes later, five or six of us jumped off the tram together (including a girl in a dusty pink Folklore flower fairy dress who’d been on the same tram as me going to the show six hours earlier). Most of them went into the apartment complex right outside my window so the only bit I had alone was the two or three minutes down the side of the hotel and into it. A male Swiftie in a Kelce football shirt was just arriving at the hotel a few steps ahead of me so we took the lift up together and there I was, back in my room by 11.30. What time did the show finish? 10.45ish? It had all been very easy.
But the sequins were a mistake. Not only was the dress kind of bulky and uncomfortable, it was really scratchy. By the time I was sitting down in my seat in the stadium I discovered I had scratches all over my arm from the sequins and because the bag sat on my knees most of the time I was sitting, I have some spectacular scratches on my legs 24 hours later. Next time, either just wear a flower fairy dress or go in shorts and t-shirt